100 Things Every Writer Needs to Know - download pdf or read online

By Scott Edelstein

ISBN-10: 0399525084

ISBN-13: 9780399525087

Author, editor, and literary agent Scott Edelstein has performed it all--and now this insider brings his worthwhile secrets and techniques to either starting and tested writers. overlaying every thing from construction writing talents to facing editors to beginning a writing enterprise, this all-important advisor gets you all started and element you within the correct path. With matter-of-fact suggestion and encouragement from a professional, you will get the data, notion, and counsel you want to write your top and start a winning writing occupation.

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The resulting netline will be a highly visual diagram of exactly what your piece will embody and involve. Three sample netlines appear on the following pages. s for an essay on prison overcrowding; the second is for a poem about an affair between a chef and her assistant; the third is for a story about an eight-month-long failed romance. Do you have to outline or netline something before you write ft' Of course not. Like any other tool, an outline should be used 0n ly if and when you find it useful.

Lighting. Do you prefer the room light or dark? Should the Hght come straight down or over one shoulder? Do you work best with incandescent, fluorescent, halogen, or natural light? Privacy. Do you need a separate, almost sacred space to write in? Or will activity actually inspire and energize you? ) Background sounds. Some writers work best in silence, or with the sounds of birds, surf, or traffic in the background. Others like to hear a hubbub in the next room or outside their window. Some writers play recorded tapes of birdsongs or waterfalls; some drown out all background noise with an electric fan.

E I don't mean to suggest that you shouldn't write fiction, potry, or TV, movie, or play scripts if you want to; or that you 23 should avoid sending your work to high-circulation national magazines; or that you shouldn't expect to receive fair market value for your work. I'm simply saying that if rapid publication is your goal, then writing nonaction for small, low-paying publications is the fastest and easiest way to achieve it. , Harper's, and the Paris Review—more difficult, in fact, than most new writers realize.

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100 Things Every Writer Needs to Know by Scott Edelstein

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