By William Dominik, Jon Hall
A significant other to Roman Rhetoric introduces the reader to the wide-ranging value of rhetoric in Roman tradition.
- A advisor to Roman rhetoric from its origins to the Renaissance and past
- Comprises 32 unique essays through best foreign students
- Explores significant figures Cicero and Quintilian in-depth
- Covers a large variety of subject matters reminiscent of rhetoric and politics, gender, prestige, self-identity, schooling, and literature
- Provides feedback for additional examining on the finish of every bankruptcy
- Includes a thesaurus of technical phrases and an index of right names and rhetorical strategies
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Extra info for A Companion to Roman Rhetoric
In essence, this is a work that shows the limitations of seeing poetry as reducible to a set of rhetorical prescriptions; it instead offers a more nuanced and critical reading of rhetorical theory in order to analyze Roman poetry. We may see a further development in the use of rhetorical theory to read Roman literature and culture in Ahl’s (1984) influential article, a study whose ambitions reach beyond literary criticism to embrace politics and culture. Ahl scrutinizes the notion of ‘‘figured’’ language within the rhetorical tradition (esp.
De Man seizes upon the moments when a text’s rhetorical and grammatical sense are in conflict, when ‘‘the text does not practice what it preaches’’ (De Man 1979: 15). So ingrained was the habit of using rhetorical terms within modern literary theory that Bloom, in his The Anxiety of Influence (1973), appropriates various Greek and Latin terms Modern Critical Approaches to Roman Rhetoric 15 (clinamen, tessera, kenosis) to describe ways in which poets misread their predecessors. In the absence of suitable preexisting rhetorical terminology, Bloom resorts to constructing his own set of classical-sounding tropes.
280–207), and Crates of Mallus (fl. 159) – all also engaged in grammatical analysis – were particularly influential to later periods. The distinctively ‘‘textual’’ trend of Hellenistic rhetoric is marked, first and foremost, by an increased production of rhetorical handbooks – monographs, in particular (so Theophrastus’ On Style) – that focused on theoretical or academic, rather than purely practical, matters. As the ‘‘professionalization’’ of Hellenistic rhetoric moved the study from the status of ‘‘handmaiden’’ of oratory to that of a self-justified process of intellectual critique, rhetoricians of the period focused increasingly on the more academic issues of, for example, invention (the finding of arguments: so cf.
A Companion to Roman Rhetoric by William Dominik, Jon Hall