Tony White's Animation from Pencils to Pixels: Classical Techniques for PDF

By Tony White

ISBN-10: 0240806700

ISBN-13: 9780240806709

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Award-winning animator Tony White brings you the final word ebook for electronic animation. right here you will discover the vintage wisdom of many mythical recommendations published, paired with details appropriate to today's able, state of the art technologies.

White leaves not anything out. What modern electronic animators so much want to know are available among this book's covers - from conceptions to production and during the various phases of the construction pipeline to distribution. This publication is meant to function your one-stop how-to animation advisor. no matter if you're new to animation or a really skilled electronic animator, right here you'll locate basics, key classical strategies, recommendation that would increase your paintings and well-roundedness as an animator.

Speaking from event, White offers familiar secrets and techniques animaton with a hot, masterly, and an expert procedure that has advanced from over 30 years as an award-winning animator/director.

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Additional info for Animation from Pencils to Pixels: Classical Techniques for the Digital Animator

Example text

Aesthetically too, the actual design of the 3D character has already evolved into its own particular type of stereotype. While 2D animation is usually defined as cartoon, 3D is beginning to be defined as sci-fi, humanoid, robotic, alien, and/or superhero. There are, of course, some notable and impressive alternatives to this, such as the Academy Award-winning masterwork “Ryan,” by Chris Landreth. But, by and large, 3D defines itself most by the kind of heroes and villains that live and move most effectively in a computer game reality.

The ideal solution would have been for me to write to all the owners of each of the characters and ask for their permission to use The Buzz Lightyear look-alike character I designed them. ” possible to do. Even if agreements could be struck in principle, which I doubt would happen in reality anyway, the collective fees for these animated icons would be beyond the means of even the most affluent of Hollywood studios. A humble teacher’s salary would just not cut it! I had to take another route. I still acknowledged and re-created the moments from animation’s history that have so inspired me.

Yet, many writers do find inspiration by crafting their storyline around frameworks such as the hero’s journey. In truth, the importance of any framework is relative to that writer’s ability to work within such a framework, and not be limited by it, as can happen if a formulated approach is taken slavishly. Ultimately therefore, it is for each writer to ascertain what system works best for them in the final analysis. When developing a storyline, it is important that you have a clear overview of your objectives at all times.

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Animation from Pencils to Pixels: Classical Techniques for the Digital Animator by Tony White


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