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Peter Paul The little I'anel, Rubens fur. c. 1638 176 x 83 cm N'icnna, Kunsthistorisches Museum Rubens married his second wife, Helene Fourment, when she was sixteen, and painted her here when she was a reputed twenty-four. It is thought that she tried to have this painting destroyed after his death. He stimulated a market for tlcshy nudes ,ind for rape scenes from mythology. not denying that he was a great painter, it is easy to sympathise with NX'hile the view that he was too often vulgar md a insincere.

It is instructive to compare Chardin's sense of integrity with portraits by Maurice de La Tour. absent 13. Jean Marc Nattier the Younger Madame Bourel aj Diana, 1745 Canvas, 138 x 105 cm Lugano, Collection Bornemisza- Thyssen The French court of Louis with mythological XV parallels. It flirted was Nattier's position to flatter the ladies by portraying them as favoured A bow, a quiver and a leopard-skin has trantormed the redoubtable Madame Bouret to some- goddesses. thing a Diana. little less transitory, the We are acquainted with Greek illu- sions that mislead powerful people, when pampered tify ses.

It is instructive to compare Chardin's sense of integrity with portraits by Maurice de La Tour. absent 13. Jean Marc Nattier the Younger Madame Bourel aj Diana, 1745 Canvas, 138 x 105 cm Lugano, Collection Bornemisza- Thyssen The French court of Louis with mythological XV parallels. It flirted was Nattier's position to flatter the ladies by portraying them as favoured A bow, a quiver and a leopard-skin has trantormed the redoubtable Madame Bouret to some- goddesses. thing a Diana. little less transitory, the We are acquainted with Greek illu- sions that mislead powerful people, when pampered tify ses.

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Artworks and Real Things by Arthur C.Danto


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