By Arthur D. Broadbent
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Развитию искусства, дизайна, архитектуры и живописи способствовали революционные идеи в викторианской Англии. Работы ремесленников и дизайнеров стала сердцем этой новой идеологии, которая повлияла на весь мир. В книге описания, фотографии, рисунки.
The outline for this booklet, The a long time of guy: Medieval Interpretations of the existence Cycle, might be approaching.
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1 g km–1) for fine yarns and filaments. 9 g (9 km)–1). Much of the technology used today for yarn production originally developed from wool and cotton processing. Modern yarn production from natural staple fibres involves considerable resources because of the large number of operations involved. Continuous filament yarns have the advantage of being ready for direct assembly into fabrics. They are also much cleaner than yarns from natural fibres. 2); (3) non-woven or felt materials have fibres compressed together in random orientations, held by their natural cohesiveness, or by adhesives; (4) laces are open materials in which yarns are twisted, looped and knotted together.
They may have pronounced differences between the fibre skin and core. Molecular organisation in fibres has many different forms and fibres cannot be considered to be homogeneous materials. The following chapters review the morphology and properties of different types of individual fibres. 3 INTERMOLECULAR FORCES In the preceding section, we saw that polymer molecules will form crystalline structures if they arrange themselves so that the position of each type of atom has an exact repeated pattern in three dimensions.
Their major applications are for industrial and engineering textiles, and for disposable materials such as sanitary products. Non-woven fabrics are less likely to be dyed than woven or knitted materials but manufacture from pre-dyed fibres is simple if colour is required. A multitude of different textile fabrics are manufactured, each type with its own characteristic structure and uses. The machinery used for handling these materials, particularly during wet processing, is dictated by the strength and weight of the fabric and its ease of deformation.
Basic Principles of Textile Coloration by Arthur D. Broadbent