By Angela T. McAuliffe
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Drawing on a wide selection of newly to be had resource fabric, Angela McAuliffe examines the roots of Pratt's spiritual attitudes, together with his strict Methodist upbringing in Newfoundland and his plans to go into the ministry. She explores Pratt's early prose and unpublished poetry, together with his theses on demonology and Pauline eschatology and the unpublished poem "Clay," to track the origins of non secular rules and motifs that take place in his later paintings.
Extra info for Between the Temple and the Cave: The Religious Dimensions of the Poetry of E.J. Pratt
The earlier standpoint of his Messianic functions as deliverer from the coming wrath (i Thess 5) and of his subordination to the Father (i Cor 15:24-8) is transcended, and the central theme becomes the exaltation of Christ, the summing up of the totality of creation in him who is "all in all" (186). Without making any claim for the extensive derivation of Paul's teaching from the mysteries, Pratt suggests that Paul's employment of 2g "Up from Newfoundland" many of their concepts showed how sympathetically he felt towards the "groping after God" which the mystic process in all its complexity of apparatus expressed.
88 While, like others at Victoria, Blewett hoped to find in psychology the meeting place of science and religion, in his own highly original work he left behind the Wundtian experiments in sensation and apperception for ethics and metaphysics. 9° His suggestions for reorganizing the department of philosophy so that it would provide a better foundation for lay students and probationary ministers alike were respected, and his serene and scholarly pursuit of the truth inspired his students with hope and courage.
26 In addition to the regular obligations of a teaching professor, Pratt found time during his tenure to write poetry, conduct summer courses at the universities of British Columbia and Toronto and Dalhousie and Queen's universities, edit Canadian Poetry Magazine from 1935 to 1942, produce regular columns and occasional book reviews, go on reading and speaking tours, conduct a voluminous correspondence, and entertain and encourage Canadian and American writers and artists. Nowhere is there any evidence of the one proverbial and decisive "crisis of faith" from which Pratt is believed to have emerged as an atheist or, at best, an agnostic.
Between the Temple and the Cave: The Religious Dimensions of the Poetry of E.J. Pratt by Angela T. McAuliffe